消失的情人節
My Missing Valentine
專案類型:電影
上映時間:2020 年
導演:陳玉勳
第57屆金馬獎 「最佳視覺效果獎」得獎
第23屆台北電影獎 「最佳視覺效果獎」得獎
劇情簡介 Plot Summary
公車司機阿泰是一個動作慢吞吞、連手錶的時間、地震的感應都比別人慢的奇葩。他每天都會去郵局,找櫃員楊曉淇寄一封不知道給誰的平信。櫃員楊曉淇和阿泰完全相反,是個凡事搶拍的超級急性子,唯獨感情生活毫無進展,年近三十還是母胎單身。情人節前夕,楊曉淇被天菜陽光男劉老師搭訕,終於情竇初開的曉淇和劉老師天雷勾動地火;想不到一覺醒來,劉老師再無音訊、而且情人節居然已經過了?!每天來寄信的阿泰也再也沒出現過…毫無記憶的楊曉淇,開始了一趟尋找真相的奇幻旅程…
The bus driver, Ah Tai, is an oddball who moves slowly, always behind in keeping time, and even slower in sensing earthquakes compared to others. Every day, he goes to the post office to send an ordinary letter to the counter clerk, Yang Xiaoqi, without knowing who it is for. Yang Xiaoqi, in complete contrast to Ah Tai, is an impatient person who rushes through everything, except her love life, which has made no progress even though she’s nearing thirty and still single. On the eve of Valentine’s Day, Yang Xiaoqi gets approached by the attractive and sunny Mr. Liu, a teacher, and finally, her romantic feelings start to blossom. However, to her surprise, when she wakes up, Mr. Liu has vanished without a trace, and Valentine’s Day has already passed?! Ah Tai, who used to come every day to mail the letters, has also disappeared without a trace. With no memory of what happened, Yang Xiaoqi embarks on a fantastical journey to find the truth.
分鏡腳本
Story Board
模型資產
Model Asset

壁虎伯 Uncle Gecko
此系列鏡頭是楊曉淇在衣櫥發現一隻壁虎伯,與他談天的過程。需為壁虎伯加上長舌頭與壁虎尾巴。
This series of shots depicts Yang Xiaoqi discovering Uncle Gecko in the wardrobe and engaging in a conversation with it. The process requires adding a long tongue and a gecko tail to Uncle Gecko.

時間暫停 Time Pause
此系列鏡頭是阿泰下公車後,發現世界都停住了,需透過後期特效呈現時間暫停的效果,需將所有晃動的人物鎖定,也需移除支撐架,還有拍攝時無法避免的遠方車輛移動等。
This series of shots depicts the moment when Ah Tai gets off the bus and discovers that the world has come to a halt. The time pause effect needs to be portrayed through VFX. It requires locking the movement of all the characters, removing support structures, and addressing unavoidable distant vehicle movements during filming.

替換 Replace
在電影中,經常有使用手機或是電腦來交代劇情資訊的情節,因為版權或內容還沒確定,所以需要後期合成螢幕上的內容。
In movies, there are often scenes where mobile phones or computers are used to convey plot information. Due to copyright or content not being finalized, post-production is required to composite the content on the screen.